MEDIA
Verdi - Ah! fors'è lui… Sempre libera (Violetta)
“It was wonderful to hear soprano Hanna Husáhr tackling the technically and expressively difficult role. Her mellifluous voice blended well with the string ensemble and her dialogues with concertmaster Joakim Svenheden or principal viola Vicki Powell were full of tenderness. Husáhr brought forward the oriental sonorities in Marine and the lyricism in Antique. She also displayed a remarkable legato in the final Départ.”
Britten - Les illuminations, Bachtrack, Sept 2020
Ambroise Thomas - Et maintenant écoutez ma chanson… Pâle et blonde (Ophélie)
“Hanna Husáhr in the lead role makes an outstanding contribution. She is on stage almost all of the time; her voice is strong and clear: a soprano with sorrowful edges.”
Mats Larsson Gothe, The Promise, Aftonbladet, Jan 2022
Gounod - Que vois-je là?.. Ah! Je ris (Marguerite)
“... his (John Adams) portrait of Pat Nixon is indeed touching, especially when she is portrayed as congenially as Hanna Husáhr in the Royal Opera's production."
Adams - Nixon in China, Expressen, Oct 2016
Mozart - Vedrai carino (Zerlina)
“Hanna Husáhr in particular impresses in her portrayal of Ava. She is in constant focus, interprets all the musical nuances of the role in the finest way and also captures the physical drama without the slightest tendency to overplay.”
Mats Larsson Gothe - The Promise, NWT, Jan 2022
Donizetti - Regnava nel silenzio... Quando rapito in estasi (Lucia)
“The “Mater Gloriosa” herself only gets a few lines, but Hanna Husáhr made a strong impression, singing them from high above, at the very top of the choir.”
Mahler - Symphony no. 8 (Mater Gloriosa), Bachtrack, Aug 2018
“Hanna Husáhr gives a heartfelt lustre to the opera’s, and perhaps Puccini’s, most famous aria, O mio babbino caro.”
Gianni Schicchi (Lauretta), Svenska Dagbladet, March 2022